Silenzio News: Agosto 2007. Click Per Infos.
SILENZIO NEWS
Agosto 2007-08-28
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NOVITA’
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Lang, Klaus
einfalt.stille
Chamber music by the Austrian composer Klaus Lang
Through concentration on listening or concentration on what we are listening
to we can enter a state of simplicity of mind which is a state of the
highest inner clarity or inner silence. In other words:when concentrating on
the flow of music we can reach an inner state: The inner silence which is
the simultaneity of stasis and flow. This paradoxical situation poses the
question: Is the flow of music passing us, is music flowing through us thus
evoking this inner stasis or is it not a state at all what we experience:
should we not most seriously take into consideration the possibility that it
is us who are flowing through the sound?
Bettina Junge, flute
Natalia Pschenitschnikova, voice
Adam Weisman, percussion
Karen Lorenz, viola
Total time: 50:00 min
CD; Edition RZ; EU 16,50
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AA.VV.
Inventionen VI: Electroacoustical music
Inventionen Festivals 2005 and 2006 featured compositions by Edgar Barroso,
Mario Verandi, Paul Wilson, Ricardo Climent, Vladimir Djambazov and Ludger
Brümmer
Edgar Barroso: ODD
Mario Verandi: Comme un jeu des images
Paul Wilson: Through the Rain
Ricardo Climent: Wallwoodpeckers
Vladimir Djambazov: The Secret Life of a Snare Drum
Ludger Brümmer: Glasharfe
Total time: 74:48
CD; Edition RZ; EU 16,50
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Nono, Luigi
20 Jahre Inventionen V: Luigi Nono
Audio CD with three compositions by Luigi Nono, recorded at the Berlin
festival “Inventionen”.
The live electronics that Nono worked with for the first time in the early
1980?s at the Freiburg Experimental Studio also serves the musical
displacement: the music moves away from clear spatial and timbral
assignations. Due to electronic processing, the sonic characteristics of
both instruments, bass flute and cello, can hardly be recognized. Tones and
gestures are lengthened into seeming infinity and move in space
Total time: 52:41
Tracks:
Quando Stanno morendo (diario polacco no. 2) – Konzert 1983
Canciones a Guiomar – Konzert 1991
Omaggio a Emilio Vedova – Konzert 1991
Musicians:
Ingrid Ade
Monika Bair-Ivenz
Bernadette Manca di Nissa
Halina Nieckarz
Roberto Fabbriciani
Frances-Marie Uitti
Arturo Tamayo
Experimentalstudio der Heinrich-Strobel-Stiftung des SWF
ars nova ensemble Berlin
Edelgard Neubert-Imm
Peter Schwarz
CD; Edition RZ; EU 16,50
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Tudor, David
Music for Piano
2-CD set with recordings by the legendary 20th century avantgarde pianist.
With compositions by Sylvano Bussotti, John Cage, Morton Feldman, Christian
Wolff.
David Tudor, pianist – a profession, a vocation, a life. From 1950 until
around 1965, David Tudor was the epitome of the pianist who could simply
play anything. In fact, David Tudor was no longer a name, but an indication
for instrumentation as dozens of pieces were written “for David Tudor”. As
early as 1960, after having conquered all of the challenges posed by serial
piano music, Tudor began to differentiate between composers who filled him
with life and those who left him cold – the focus of his repertory became
crystallized. The main criterion for his choices were shaped by the part he
would play as interpreter in the composition. He distinguished carefully
between having a free choice among prefabricated parts – generally called
aleatoric, as for example, Stockhausen’s Klavierstück XI (dedicated, as his
Klavierstücke V-VIII, to Tudor) – and indeterminate actions. In the first
case, they have a tendency to “put me to sleep”, whereby pieces that are
less limiting led him to say, “I feel that I’m alive in every part of my
consciousness”. The program of these CDs portrays these distinctions.
[ Frank Hilberg ]
CD 1
John Cage: Music for Piano 27… 1955 (DR 1958) [ John Cage / David Tudor ·
Pianos, 7’49” ]
John Cage: Music for Piano 22, 21, 26, 36 1955 (NDR 1956) [ David Tudor ·
Piano, 8’46” ]
John Cage: Music for Piano 27, 21, 32, 36 1955 (RB 1959) [ David Tudor ·
Piano, 10’17” ]
John Cage: Variations I 1958 (DR 1958) [ John Cage / David Tudor · Pianos,
2’20” ]
Christian Wolff: Duo for Pianists I 1957, Version 1 (RB 1960) [ John Cage,
David Tudor · Klavier, 4’12” ]
Christian Wolff: Duo for Pianists I 1957, Version 2 (RB 1960) [ John Cage,
David Tudor · Klavier, 4’35” ]
Sylvano Bussotti: Piano Piece for David Tudor III 1959 (RB 1959) [ David
Tudor · Klavier, 7’25” ]
John Cage: Winter Music 1957 (WDR 1957) [ John Cage / David Tudor ·
Klavier, 5’10”]
Morton Feldman: Piece for Four Pianos 1957 (Columbia 1959) [ David Tudor,
Russell Sherman, Edwin Hymovitz, Morton Feldman · Klavier, 7’36” ]
[ Total time Disc 1: 58:10 ]
CD 2
John Cage: Variations II 1961 (Sony Music 1967) [ David Tudor · Klavier,
26’52” ]
John Cage: Music for Piano 27, 21, 32, 35, 36 1955 (HR 1959) [ David Tudor
· Klavier, 12’26” ]
John Cage: Music for Piano 21, 22, 26, 29, 34, 36 1955 (WDR 1959) [ David
Tudor · Klavier, 13’18” ]
Christian Wolff: Duo for Pianists I 1957, Version 2 (DR 1963) [ John Cage,
David Tudor · Klavier, 10’26” ]
David Tudor O-Ton (DR 1963, 1’50”)
[ Total time Disc 2: 64:56 ]
2CD; Edition RZ; EU 28,00
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Prévost, Eddie / Wilkinson, Alan / Williamson, Joe
Along Came Joe
1. Along Came Joe (35 06″) recorded at Freedom of the City festival, London,
England on 1st May 2006
CD; Matchless; EU 8,50
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Wilkinson, Alan & Prévost, Eddie
So Are We, So Are We
Eddie Prévost drums
Alan Wilkinson baritone and alto saxophones
1. On Green Street (17 09″)
2. East. East, East London ( 13 33″)
3. Supa, Supa (14 43″)
4. For Marlene (10 14″)
5. So Are We, So Are We ( 18 18″)
total playing time 73 59″
CD; Matchless; EU 16,50
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AA.VV. (Mauro Orselli, direttore)
Sulle Tracce Di NED
Le registrazioni effettuate dal gruppo organizzato da Mauro Orselli per NED
sono state:
2 giugno 2006 – 2h55m – allo Studio v38
5 agosto 2006 – 2h30m – allo Studio v38
24 settembre 2006 – 3h20m – in una cava abbandonata nei pressi di Pisa
(realizzata con lo studio mobile del v38)
16 ottobre 2006 – 2h40m – allo Studio v38
totale registrazioni 11h 25m
Hanno suonato 11 musicisti:
Alessandro Baris: batteria, chitarre, microfono a contatto, glockenspiel,
pianoforte
Donato Epiro: flauto, basso elettrico, chitarra acustica oggetti
Leonardo Chirulli: pianoforte, laptop
Beatrice Carratori: voce, oggetti
Marina Mulopulos: voce
Antonino Virgillitto: violoncello
Filippo Mazzei: chitarra preparata, clarinetto
Andrea Cattani: viola
Mauro Orselli: pianoforte
Massimo Amazio: chitarra acustica
Amedeo Sorpreso: chitarra acustica
CD; NED; EU 15,00
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AA.VV. (Leonardo Dilani, direttore)
Il Giardino Di NED
Le registrazioni effettuate dal gruppo organizzato da Leonardo Milani per
NED sono state:
2 aprile 2006 – 4h50m – a S.Marinella in un giardino (realizzata con lo
studio mobile del v38)
23 giugno 2006 – 3h30m – allo Studio v38
2 ottobre 2006 – 2h55m – allo Studio v38
28 ottobre 2006 – 2h40m – allo Studio v38
6 novembre 2006 – 3h30m – a S.Marinella (nello stesso giardino di prima)
totale registrazioni 17h 25m
Hanno suonato 20 musicisti
Leonardo Milani pianoforte
Sebastian Comelli voce
Roberto Bellatalla contrabbasso
Edoardo Marraffa sassofoni
Federico Scettri batteria
Davide Piersanti trombone
Ruggero Barberi tabla
Dario Salvagnini elettronica di ritorno
Pasquale Innarella sassofoni e corno francese
Giacomo Piccioni oboe,ance libere
Angelo Olivieri tromba
Jarah Marchegiani cetra
Toni Marchegiani pala meccanica
Federica Michisanti contrabbasso
Matan Rochlitz voce chitarra
Gabriele D’angelo voce
Gianluca Fiorda flauto traverso
Ersilia Prosperi tromba
Nicola Merli percussioni
Fulvio Boccafusco contrabasso
CD; NED; EU 15,00
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Musicworks
97 spring 2007
ARTICLES
Rick Sacks: The dance of contemporary percussion
By Anne Bourne
Article Summary: Rick Sacks is a contemporary percussionist whose movements
within his intricately designed set-ups of metal, wood, and skins have been
described as a dance. With extensive experience as an interpreter of
contemporary music, he reconciles elaborate numerical structure with the
freedom of intuition. His sound is one of warmth and mathematical precision,
with a texture provided by ingenious dexterity. Sacks’ interface with
technology and theatre expands his work to many genres that stem from his
love of contemporary chamber music. Originally from New York state, he chose
to make Toronto his home, after remarkable friendships formed with composers
Christopher Butterfield and Linda C. Smith. His compositions present a
complex sound world of depth and passion. Sacks is releasing Ten Planets, a
CD of contemporary percussion solos on Artifact.
Peter Mettler: Filmmaking as composing, the camera as musical instrument
By Joel McConvey
Article Summary: Canadian filmmaker Peter Mettler has often described his
work as musical, and compared his working process to that of the musician.
It makes sense: his globetrotting explorations of ecstasy, energy, and
transcendence deal with transcending borders to discover the divine ways in
which cultures and systems overlap. His early experiments with the piano led
him to a love of improvisation, which he has continually incorporated into
his traditional film work, culminating in his massive 2002 picture,
Gambling, Gods and LSD. Now, as he skirts the frontier of live visual
mixing—a medium in which sound and image are inextricably intertwined and
improvisation reigns—he is evolving even further into the quintessential
artist-as-medium, and forging a new bond between the visible worlds of the
filmmaker and the fluid mystery of music.
O+A: Sound art duo reshapes the urban soundscape
By Kay Burns
Article Summary: Bruce Odland and Sam Auinger (O+A) have been developing
collaborative outdoor sound installations since 1987. Their work alludes to
the common oversight of urban planners and architects regarding the acoustic
environment of city plazas, structures, and freeways. Rather than simply
override or mask the noise of urban settings with something fundamentally
different, Odland and Auinger have created a means of reinventing the
cacophony of traffic, machinery, crowds, and other local sounds into
harmonics played back in real time. The harmonics are created using a series
of large tuning tubes that the pair developed, along with specially designed
and constructed speakers for the sites. This article looks at three of their
works, located in New York, Massachusetts, and Rome. Through these works,
O+A concurrently question and provide insight into issues of acoustic
ecology and sonic attributes of urban experience.
Finnbogi Pétursson: Icelandic installation artist sculpts space and time
with sound
By Donald Brackett
Article Summary: Some visual artists appear to invite us to participate in
an aesthetic experience far more involved and compelling than a mere viewing
experience. Finnbogi Pétursson permits us to engage in an extended reverie,
a suspended state in which time, the real and actual subject of his works,
stands still long enough for us to witness its true dimensions. His
installations visualize sound, and use it as a tool for exploring the
concepts of space and of time. In this feature article, Toronto art and
music critic Donald Brackett discusses Pétursson’s work and declares it to
be a concrete contradiction of Marcel Duchamp’s declaration that “One can
look at seeing, one cannot listen to hearing.”
COMMENTARY
The Canada Council at fifty
By Gayle Young
Article Summary: The Canada Council for the Arts has provided funding to
composers, musicians, and other artists for fifty years, supporting the
growth of both individual artists and the infrastructure by which their work
is made accessible to the public and to one another. Music arises from the
aural imaginations of both creators and listeners in interaction with the
physical realities of acoustics and perception, and at the same time, it
stimulates the imagination, freeing us to observe the world around us. In a
field such as new music and sound arts, commercial viability cannot be a
realistic goal. Social and personal values take priority, and in this sense
the community of artists has flourished. The musical world of the
twenty-first century is characterized by diversity and plurality,
simultaneity and integration, and our history of public funding has prepared
Canadian artists to participate fully in this context.
A few words about Jim Tenney
By Larry Polansky
Article Summary: “A Few Words About Jim Tenney” is a probing evaluation of
the artistic, intellectual, and cosmological vision of the late James
Tenney, who is proclaimed in this article to be the most important and
brilliant composer–theorist of the second half of the twentieth century. The
author, Larry Polansky, himself a composer, theorist, and teacher, a former
student of Tenney and one of his close friends, contends that, after Cage,
no other composer so elegantly and beautifully integrated ideas and music as
did Tenney. And, he asserts, no one else’s work, as a whole, is as profound,
experimental, wide-ranging, accomplished, or revolutionary. Larry Polansky
wrote this piece shortly after James Tenney’s death, specifically for A
Companion to Slug, the e-mail newsletter of Frog Peak Music (A Composer’
Collective), where the article first appeared.
Reflections on James Tenney
By Chiyoko Szlavnics
The Berlin-based Canadian composer Chiyoko Szlavnics offers a personal
memoir of her artistic and intellectual engagement with the late American
composer James Tenney, telling why he was such an effective composition
teacher for her. She discusses Tenney’s relationships to Edgard Varèse and
John Cage, as well as his interest in ratios and the Just Intonation tuning
system (which led to his development of such theories as that of harmonic
space), in aleatoric forms, and in parametric graphs.
SONIC GEOGRAPHY
Kay Burns in the Yukon
Gayle Young at Bone Lake
CD CONTENTS
1 | Sparrows (2004) 11:24
2 | Clicks (1996) 1:24
3 | Sunday Ice Cream Sundae (2002) 5:04
4 | Buoy (2005) 2:48
by / par Rick Sacks
5 | Certain Rhythms for Space (1985) 10:30
by / par Finnbogi Pétursson
6 | Live sound and image improvisation at RAI, Rome (excerpt/extrait) (2005)
13:15
by / par Fred Frith and Peter Mettler
7 | NYC: Blue Moon 3 Tides (2004) (4:40)
8 | Mass MoCA: Harmonic Bridge (1998) (8:29)
9 | Rome: Traffic Mantra (1991) (5:13)
by / par Sam Auinger and Bruce Odland (O+A)
10 | Gradients of Detail (excerpt 1 / extrait 1) (2005) 5:18
11 | Gradients of Detail (excerpt 2 / extrait 2) (2005) 5:18
by / par Chiyoko Szlavnics
MAG+CD; Musicworks; EU 12,00
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SPECIAL SALE ON ants RECORDS
CDR SERIES
I Titoli da 1 a 9 della serie CDR sono ormai esauriti e non verranno
ristampati su supporto CDR. Per chi volesse, abbiamo delle ultimissime copie
rientrate da un vecchio conto deposito – in vendita a 4 euro l’una:
MITI, LUCA mansions CDR; ants; EU 4,00 1 copia
MASIN, GIGI Lontano CDR; ants; EU 4,00 2 copie
DI GIAMPIETRO, LUIGI Cinque pezzi CDR; ants; EU 4,00 1 copia
CASTELLANO, PIERLUIGI Zonacalda CDR PLUS; ants; EU 4,00 1 copia
FIRST, DAVID Dave’s Waves CDR; ants; EU 4,00 1 copia
CD SERIES
Per un periodo limitato vi proponiamo un’offerta speciale sui titoli ants
della serie CD dal n. 1 al 7 (escluso il n. 4). I doppi CD a 14 euro ed i CD
singoli a 7,50 euro. Approfittatene !
PERNAIACHI, GIANFRANCO Ora 2CD; ants; EU 14,00
CAGE, JOHN A tribute 2CD; ants records; EU 14,00
GROSSI, PIETRO Battimenti CD; ants; EU 7,50
IF, BWANA Fire Chorus CD; ants; EU 7,50
JOHNSON, TOM Organ and silence CD; ants; EU 7,50
MASIN, GIGI & CAPRIOLI, GIUSEPPE Moltitudine in labirinto CD; ants; EU 7,50
MAYR, ALBERT Hora Harmonica CD; ants; EU 7,50
Inoltre, ultime copie del multiplo di Giuseppe Chiari
CHIARI, GIUSEPPE Quit Classic Music MULTIPLO; ants
al prezzo speciale di 35 euro.
Per descrizioni e note visitate il sito
http://www.silenzio-distribuzione.it/ants.htm
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SPECIAL SALE ON pogus RECORDS
Tutti i titoli attualmente in stock della Pogus al 50%. (I prezzi listati
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AA.VV. Montreal Sound Matter/ Montréal matières sonore CD; Pogus; EU 15,00
AA.VV. (Simon Wickham-Smith, curator) DIY Canons 2CD; Pogus; EU 19,00
ANDERSON, BETH Peachy Keen-O CD; Pogus; EU 16,00
BAND, ELLEN & MYERS, DAVID LEE Two Ships CD; Pogus; EU 15,00
COURTIS, ANLA Tape Works CD; Pogus; EU 15,00
CRAWLING WITH TARTS Ochre Land, Blue Blue Skies / Grand Surface Noise Opera
nr. 7 CD; Pogus; EU 15,00
ERBE, TOM / MANN, CHRIS / POLANSKY, LARRY / REPETTO, DOUGLAS / WOLFF,
CHRISTIAN Trios CD; Pogus; EU 16,00
HAMILTON, TOM / SILVERTON, MIKE / MARGOLIS, AL Analogue Smoque 2CD; Pogus;
EU 17,00
IF, BWANA Rex Xhu Ping CD; Pogus; EU 15,00
OTTE, HANS Minimum:maximum/orient:occident CD; Pogus; EU 15,00
VOUDORIS, DIMITRI NPFAI 1/Palmos/NPFAI 3/Praxis CD; Pogus; EU 15,00
Per dettagli consultate il sito
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BURT, WARREN The Animation of Lists – And the Archytan Transpositions 2CD;
XI records; EU 17,00
LICHT, ALAN A New York Minute 2CD; XI records; EU 17,00
LOGOS Works CD; XI records; EU 15,00
CARRIER BAND Carrier CD; Deep Listening Publications; EU 15,00
HAUSER, FRITZ Deep Time 2CD; Deep Listening Publications; EU 20,00
HAYMAN, R.I.P. On the way… CD; Deep Listening; EU 15,00
LOWREY, NORMAN ReVoicings CDR; Deep Listening; EU 8,00
OLIVEROS, PAULINE Primordial Lift CD; Deep Listening Publications; EU 15,00
ROLNICK, NEIL B. Fish Love That CD; Deep Listening Publications; EU 15,00
SMALLWOOD, SCOTT Electrotherapy CD; Deep Listening; EU 16,00
OLIVEROS, PAULINE Lion’s Eye/Lion’s Tale CD; Deep Listening Publications; EU
15,00
BRAASCH, JONAS Global Reflections CD; Deep Listening; EU 15,00
AUSTIN, LARRY Octo Mixes CD; EMF; EU 16,00
CHADABE, JOEL Many Times CD; EMF; EU 16,00
GLUCK, BOB Electric Songs CD; EMF; EU 16,00
DOYLE, ROGER Budawanny CD; Silverdoor; EU 15,50
DOYLE, ROGER Thalia / Oizzo No CD; Silverdoor; EU 15,50
DOYLE, ROGER Salomè CD; Gate; EU 15,50
DOYLE, ROGER Rapid Eye Movements CD; Silverdoor; EU 15,50
KANE, JONATHAN I looked at the sun maxiCD; Table of the Elements; EU 11,00
HOULE, FRANÇOIS Au Coeur du Litige 2CD; Spool; EU 26,00
HIKAGE, SHOKO /SEGEL, JONATHAN GEN CD; Spool; EU 12,00
BIANCHI, MAURIZIO A M.B. Ienh Tale CD; Small Voices; EU 14,00
LE FORBICI DI MANITU’ Terrore nello spazio CD; Small Voices; EU 14,00
THE HAFLER TRIO Only the hand that erases can write the true thing 2×10″;
Small Voices; EU 20,00
WANDER Wander CD; Small Voices; EU 14,00
Z’EV Rhythmajik CD; Small Voices; EU 14,00
BIFURCATORS & TYRANNY, BLUE GENE Like a Bird in the Wilderness CD; Artifact
Recordings; EU 16,00
CHAPLIN, CLAY Satellite Stutter CD; Artifact Recordings; EU 16,00
BIRDHOUSE Birdhouse CD; Freenote; EU 16,00
CATLER BROS. Crash Landing CD; Freenote; EU 16,00
DECADANSE Musique sans ecran mCD; Decadanse; EU 13,00
DECADANSE Déjoue CD; Decadanse; EU 15,00
HOSTETLER, RANDY Happily Ever After CD; Frog Peak Music; EU 16,00
LaBERGE, ANNE Blow CD; Frog Peak Music; EU 16,00
MAHLER, DAVID Too Late CD; Frog Peak Music; EU 16,00
POVALL, RICHARD Impossible Rags CD; Frog Peak Music; EU 16,00
SCHOLZ, CARTER Eight Pieces CD; Frog Peak Music; EU 16,00
THUMP PIANO DUO Thump Music CD; Frog Peak Music; EU 16,00
APPLEBAUM, MARK Catfish CD; Tzadik; EU 18,00
CURRAN, ALVIN Theme Park CD; Tzadik; EU 18,00
CURRAN. ALVIN Lost Marbles CD; Tzadik; Eu 18,00
GARLAND, PETER Love Songs CD; Tzadik; Eu 18,00
AA.VV. Dada Anti Dada Merz CD; Sub Rosa; EU 14,00
CHANCUN, WANG The mountain swallowing sadness CD; Sub Rosa; EU 14,00
DOCKSTADER, TOD Aerial Volume 2 CD; Sub Rosa; EU 14,00
FERRARI, LUC Les anecdotiques CD; Sub Rosa; EU 14,00
MALANGA, GERARD Up from the Archives (from the Factory) CD; Sub Rosa; EU
14,00
THE MASTER MUSICIANS OF JOUJOUKA Boujeloud CD; Sub Rosa; EU 14,00
BIMSTEIN, PHILLIP KENT Garland Hirschi’s Cows CD; Starkland; EU 16,00
CLOIDT, JAY Kole Kat Krush CD; Starkland; EU 16,00
EEN, ROBERT Mystery Dances CD; Starkland; EU 16,00
KLEIER, ROGER Deep Night, Deep Autumn CD; Starkland; EU 16,00
KLUCEVSEK, GUY Transylvanian Softwear CD; Starkland; EU 16,00
PAMELA Z A delay is better CD; Starkland; EU 16,00
ANDEL, LAURA- ELECTRIC PERCUSSIVE ORCHESTRA In tension CD; Rossbin; EU 7,50
MACKEY, STEVE Ravenshead 2CD; MinMax; EU 18,00
DAVIES, HUGH & RAECKE, HANS KARSTEN Klangbilder CD; KlangWerkStatt Edition;
EU 15,00
HARRISON, MICHAEL Revelation CD; MH music; EU 12,00
DEMNITZ, DAVID Gamelan as a Second Language CD; GSOL; EU 10,00
KHAN, USTAD HAFIZULLAH Kalifa Kirana Gharana CD; Just Dreams; EU 17,00
DENNIS, BRIAN A little Water Music CD PLUS; Musicnow; EU 18,00
BRADY, TIM Unison Rituals CD; Ambiances Magnetiques; EU 15,00
DADSON, PHIL Sound Tracks CD; Atoll; EU 16,00
FIRST, DAVID Universary CD; Analysand; EU 13,00
DELAURENTI, CHRIS the night i met maria c____ CD; Locust; EU 16,00
NOETINGER, JEROME / MARCHETTI, LIONEL / CHION, MICHEL Les 120 Jours 2CD;
Fringes; EU 16,00
BURNELL, PAUL Leaving the party on Pluto CD; PB; EU 15,00
ROBERT, JOCELYN 20 moments blancs lents CD; Ohm / Avatar; EU 15,00
DE BIEVRE, GUY Manhattan [linear, circular, lateral] CD; EU 15,00
FROM SCRATCH Global Hockets: Live in Europe CD; From Scratch; EU 14,00
DOCKSTADER, TOD Eight Electronic Pieces CD; Locust; EU 16,00
HAMILTON, TOM Sebastian’s shadow CD; Monroe Street; EU 16,00
HAMILTON, TOM London Fix CD; Muse-eek; EU 16,00
ZUMMO, PETER & TOM HAMILTON Slybersonic Tromosome CD; Penumbra Music; EU
16,00
FLOYD, J.B. Transporting Trasmittance CD; Mutable; EU 8,00
MARSH, GEORGE & MATHIEU, WILLIAM ALLAUDIN Game / No Game CD; Mutable Music;
EU 15,00
Per dettagli consultate il sito
http://www.silenzio-distribuzione.it/CATALOGO.HTM
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